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2008 Book Reviews

 

World Without End by Ken Follett

Rating:

***

 

(Recommended)

 

 

 

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Plague

 

Weighing in at about three pounds and over 1,000 pages, Ken Follett’s follow-up novel to Pillars of the Earth is titled World Without End, and is also set in Kingsbridge, two hundred years after the earlier novel. 14th century England comes alive for readers on these pages, plague and all. In typical Follett style, he uses the development of a cast of characters to present a comprehensive view of life at that time, and uses their work and their relationships to explain their world. Here’s an excerpt, from the beginning of Chapter 3, pp. 28-31:

 

Caris's home was a luxurious wood-frame building with stone floors and a stone chimney. There were three separate rooms on the ground floor: the hall with the big dining table, the small parlor where Papa could discuss business privately, and the kitchen at the back. When Caris and Gwenda walked in, the house was full of the mouthwatering smell of a ham boiling.

Caris led Gwenda through the hall and up the internal staircase. "Where are the puppies?" said Gwenda.

"I want to see my mother first," Caris replied. "She's ill."

They went into the front bedroom, where Mama lay on the carved wooden bedstead. She was small and frail: Caris was already the same height. Mama looked paler than usual, and her hair was not yet dressed, so it stuck to her damp cheeks. "How are you feeling?" Caris said.

"A little weak, today." The effort of speaking made Mama breathless.

Caris felt a familiar, painful jumble of anxiety and helplessness. Her mother had been ill for a year. It had started with pains in her joints. Soon she had ulcers inside her mouth and unaccountable bruises on her body. She had felt too weak to do anything. Last week she had caught a cold. Now she was running a fever and had trouble in catching her breath.

"Is there anything you need?" Caris asked.

"No, thank you."

It was the usual answer, but Caris felt maddened by powerlessness each time she heard it. "Should I fetch Mother Cecilia?" The prioress of Kingsbridge was the only person able to bring Mama some comfort. She had an extract of poppies that she mixed with honey and warm wine that eased the pain for a while. Caris regarded Cecilia as better than an angel.

"No need, dear," Mama said. "How was the All Hallows service?" Caris noticed how pale her mother's lips were. "Scary," she said.

Mama paused, resting, then said: "What have you been doing this

morning?"

"Watching the archery." Caris held her breath, frightened that Mama might guess her guilty secret, as she often did.

But Mama looked at Gwenda. "Who is your little friend?"

"Gwenda. I've brought her to see the puppies."

"That's lovely." Mama suddenly looked tired. She closed her eyes and turned her head aside.

The girls crept out quietly.

Gwenda was looking shocked. "What's wrong with her?"

"A wasting disease." Caris hated to talk about it. Her mother's illness gave her the unnerving feeling that nothing was certain, anything could happen, there was no safety in the world. It was even more frightening than the fight they had witnessed in the forest. If she thought about what might happen, and the possibility that her mother might die, she suffered a panicky fluttering sensation in her chest that made her want to scream.

The middle bedroom was used in summer by the Italians, wool buyers from Florence and Prato who came to do business with Papa. Now it was empty. The puppies were in the back bedroom, which belonged to Caris and her sister, Alice. They were seven weeks old, ready to leave their mother, who was growing impatient with them. Gwenda gave a sigh of joy and immediately got down on the floor with them.

Caris picked up the smallest of the litter, a lively female, always going off on her own to explore the world. "This is the one I'm going to keep," she said. "She's called Scrap." Holding the little dog soothed her, and helped her forget about the things that troubled her.

The other four clambered all over Gwenda, sniffing her and chewing her dress. She picked up an ugly brown dog with a long muzzle and eyes set too close together. "I like this one she said. The puppy curled up in her lap.

Caris said: "Would you like to keep him?"

Tears came to Gwenda's eyes. "Could I?"

"We're allowed to give them away."

"Really?"

"Papa doesn't want any more dogs. If you like him, you can have him."

"Oh, yes," Gwenda said in a whisper. "Yes, please."

"What will you name him?"

"Something that reminds me of Hop. Perhaps I'll call him Skip." "That's a good name." Skip had already gone to sleep in Gwenda's lap, Caris saw.

The two girls sat quietly with the dogs. Caris thought about the boys they had met, the little red-haired one with the golden brown eyes and his tall, handsome younger brother. What had made her take them into the forest? It was not the first time she had yielded to a stupid impulse. It tended to happen when someone in authority ordered her not to do something. Her aunt Petranilla was a great rule-maker. "Don't feed that cat, we'll never get rid of it. No ball games in the house. Stay away from that boy, his family are peasants." Rules that constrained her behavior seemed to drive Caris crazy.

But she had never done something this foolish. She felt shaky when she thought of it. Two men had died. But what might have happened was worse. The four children might have been killed, too.

She wondered what the fight had been about, and why the men-at-arms had been chasing the knight. Obviously it was not a simple robbery. They had spoken about a letter. But Merthin had said no more about that. Probably he had learned nothing further. It was just another of the mysteries of adult life.

Caris had liked Merthin. His boring brother, Ralph, was just like every other boy in Kingsbridge, boastful and aggressive and stupid, but Merthin seemed different. He had intrigued her right from the start.

Two new friends in one day, she thought, looking at Gwenda. The little girl was not pretty. She had dark brown eyes set close together above a beaky nose. She had picked a dog that looked a bit like her, Canis realized with amusement. Gwenda's clothes were old, and must have been worn by many children before her. Gwenda was calmer now. She no longer looked as if she might burst into tears at any moment. She, too, had been soothed by the puppies.

There was a familiar lopsided tread in the hall below, and a moment Ater a voice bellowed: "Bring me a flagon of ale, for the love of the saints, I've got a thirst like a cart horse."

"It's my father," Canis said. "Come and meet him." Seeing that Gwenda looked anxious, she added: "Don't worry, he always shouts like that, but he's really nice."


 

Follett gives readers a lot of words for their dollars, and the entertainment in World Without End can be enjoyed for weeks on end, in long or short sittings.

 

Steve Hopkins, June 20, 2008

 

 

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The recommendation rating for this book appeared

 in the July 2008 issue of Executive Times

 

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