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   Executive Times  | 
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   2007 Book Reviews  | 
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   God Is
  Not Great: How Religion Poisons Everything by Christopher Hitchens  | 
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   Rating:  | 
  
   ***  | 
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   (Recommended)  | 
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   Click on
  title or picture to buy from amazon.com  | 
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   Enlightenment There’s no
  shortage of hyperbole and definitive argument on the pages of Christopher Hitchens’ new book, God Is
  Not Great: How Religion Poisons Everything. Atheists have a new
  spokesperson, and he’s a worthy adversary, not necessarily because he’s smart
  or right, but because he’s probably the loudest and most dogmatic. God Is
  Not Great is another book that blames religion for many of the woes in
  the world, and which affirms that since the Enlightenment, religion has been
  irrelevant. Here’s an excerpt, from the beginning of Chapter 8, “The ‘New”
  Testament Exceeds the Evil of the ‘Old’ One,” pp. 109-113: The work
  of rereading the Old Testament is sometimes tiring but always necessary,
  because as one proceeds there begin to occur some sinister premonitions.
  Abraham—another ancestor of all monotheism—is ready to make a human sacrifice
  of his own firstborn. And a rumor comes that “a virgin shall conceive, and
  bear a son.” Gradually, these two myths begin to converge. It’s needful to
  bear this in mind when coming to the New Testament, because if you pick up
  any of the four Gospels and read them at random, it will not be long before
  you learn that such and such an action or saying, attributed to Jesus, was
  done so that an ancient prophecy should come true. (Speaking of the arrival
  of Jesus in Jerusalem, riding astride a donkey, Matthew says in his chapter
  21, verse 4, “All of this was done, that it might be
  fulfilled which was spoken by the prophet.” The reference is probably to
  Zechariah 9:9, where it is said that when the Messiah comes he will be riding
  on an ass. The Jews are still awaiting this arrival and the Christians claim
  it has already taken place!) If it should seem odd that an action should be
  deliberately performed in order that a foretelling be
  vindicated, that is because it is odd.
  And it is necessarily odd because, just like the Old Testament, the “New” one
  is also a work of crude carpentry, hammered together long after its purported
  events, and full of improvised attempts to make things come out right. For
  concision, I shall again defer to a finer writer than myself and quote what
  H. L. Mencken irrefutably says in his Treatise
  on the Gods: The simple fact
  is that the New Testament, as we know it, is a helter-skelter accumulation of
  more or less discordant documents, some of them probably of respectable
  origin but others palpably apocryphal, and that most of them, the good along
  with the bad, show unmistakable signs of having been tampered with. Both Paine and Mencken, who
  put themselves for different reasons to an honest effort to read the texts,
  have been borne out by later biblical scholarship, much of it first embarked
  upon to show that the texts were still relevant. But this argument takes
  place over the heads of those to whom the “Good Book” is all that is
  required. (One recalls the governor of  In 2004, a soap-opera film
  about the death of Jesus was produced by an Australian fascist and ham actor
  named Mel Gibson. Mr. Gibson adheres to a crackpot and schismatic Catholic
  sect consisting mainly of himself and of his even more thuggish father, and has
  stated that it is a pity that his own dear wife is going to hell because she
  does not accept the correct sacraments. (This foul doom he calmly describes
  as “a statement from the chair.”) The doctrine of his own sect is explicitly
  anti-Semitic, and the movie sought tirelessly to lay the blame for the Crucifixion
  upon the Jews. In spite of this obvious bigotry, which did lead to criticism
  from some more cautious Christians, The
  Passion of the Christ was opportunistically employed by many “mainstream”
  churches as a box-office recruiting tool. At one of the ecumenical prepublicity events which he sponsored, Mr. Gibson
  defended his filmic farrago—which is also an exercise in sadomasochistic
  homoeroticism starring a talentless lead actor who
  was apparently born in Iceland or Minnesota—as being based on the reports of
  “eyewitnesses.” At the time, I thought it extraordinary that a
  multimillion-dollar hit could be openly based on such a patently fraudulent
  claim, but nobody seemed to turn a hair. Even Jewish authorities were
  largely silent. But then, some of them wanted to dampen down this old
  argument, which for centuries had led to Easter pogroms against the
  “Christ-killing Jews.” (It was not until two decades after the Second World
  War that the  However, he fell into the
  same error as do the Christians, in assuming that the four Gospels were in
  any sense a historical record. Their multiple authors—none of whom published
  anything until many decades after the Crucifixion—cannot agree on anything of
  importance. Matthew and Luke cannot concur on the Virgin Birth or the
  genealogy of Jesus. They flatly contradict each other on the “Flight into  The Gospel according to
  Luke states that the miraculous birth occurred in a year when the Emperor
  Caesar Augustus ordered a census for the purpose of taxation, and that this
  happened at a time when Herod reigned in Judaea and Quirinius
  was governor of  Sixty years ago, at Nag Hammadi in  The book is chiefly
  spiritualist drivel, as one might expect, but it offers a version of “events”
  that is fractionally more credible than the official account. For one thing,
  it maintains as do its partner texts that the supposed god of the “Old”
  Testament is the one to be avoided, a ghastly emanation from sick minds.
  (This makes it easy to see why it was so firmly banned and denounced:
  orthodox Christianity is nothing if it is not a vindication and completion
  of that evil story.) Judas attends the final Passover meal, as usual, but
  departs from the customary script. When Jesus appears to pity his other
  disciples for knowing so little about what is at stake, his rogue follower
  boldly says that he believes he knows what the difficulty is. “I know who you
  are and where you have come from,” he tells the leader. “You are from the
  immortal realm of Barbelo.” This “Barbelo” is not a god but a heavenly destination, a
  motherland beyond the stars. Jesus comes from this celestial realm, but is
  not the son of any Mosaic god. Instead, he is an avatar of Seth, the third
  and little-known son of Adam. He is the one who will show the Sethians the way home. Recognizing that Judas is at least
  a minor adept of this cult, Jesus takes him to one side and awards him the
  special mission of helping him shed his fleshly form and thus return heavenward. He also promises to show him the stars
  that will enable Judas to follow on. While Hitchens turns a clever phrase on more than a few pages
  of God
  Is Not Great, many readers will find that much of this book is boring. Fellow
  atheists will find an anecdote or two to add to one’s repertoire, and
  religionists will understand the thinking of one critic. Few beliefs will
  change as a result of this book. The rhetoric may be dialed a notch or two
  higher, thanks to Hitchens.  Steve Hopkins,
  June 25, 2007  | 
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 The recommendation rating for
  this book appeared  in the July 2007
  issue of Executive Times URL for this review: http://www.hopkinsandcompany.com/Books/God
  Is Not Great.htm For Reprint Permission,
  Contact: Hopkins & Company, LLC •  E-mail: books@hopkinsandcompany.com  | 
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