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2008 Book Reviews

 

The Billionaire's Vinegar: The Mystery of the World's Most Expensive Bottle of Wine by Benjamin Wallace

Rating:

***

 

(Recommended)

 

 

 

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Authenticity

 

Benjamin Wallace’s new book, The Billionaire's Vinegar: The Mystery of the World's Most Expensive Bottle of Wine, is an entertaining page-turner, whether a reader is interested in rare wine or not. Wallace recent decades of activity in the purchase and sale of extremely rare, often very old wines. Prices have skyrocketed and fakes can be challenging to detect, since few people know much about wines that are presented as coming from Thomas Jefferson’s purchases. Most of the book involves the crisp presentation of an array of characters that are interesting in themselves, and the extent to which they go in their pursuits kept my interest finely tuned. Here’s an excerpt, from Chapter 15, “Awash in Fakes,” pp. 200-202:

Reports of fakery, since the episode with the fabricated Warhol Mouton labels, had been sporadic prior to the early 1990s. When there were incidents, they often involved the 1982 vintage, which had drawn speculators and seen price increases unlike any other modern vintage. Near the end of 1985, French police arrested sev­eral people in the right-bank city of Libourne and seized some seventy cases of regional plonk masquerading as 1981 and 1982 Petrus. In 1990, five cases of 1986 DRC Montrachet, sold by the Wine Merchant of Beverly Hills to a Japanese collector, turned out to be cheap Pouilly-Fume, gussied up with fake labels.

As wine prices, especially those of luxury labels, soared in the early nineties, incidents began cropping up much more regularly. In 1995, at a dinner in Hong Kong, a merchant from England's Corney & Barrow was served a fake magnum of 1982 Le Pin. In 1996 an attempt to sell fake 1982 Le Pin was uncovered in the UK; the forger had simply relabeled and altered the corks of some 1987 Le Pin, which sold for £1,300 ($2,000) less per bottle. In the late 1990s a London customer became suspicious of a bottle of 1982 Petrus he had bought from a New York wine merchant for $ 2,000. He took it to chateau owner Christian Moueix, who examined it in the presence of Wine Spectator's James Suckling. The bottle seemed legitimate until the capsule was removed and the cork drawn; the cork had two small indentations on its sides, indicating that it had previously been removed. It also lacked a vintage mark; the old one had apparently been sanded off. Moueix and Suckling tasted the wine, which was obviously not a 1982; they speculated it was Petrus, but a lesser and much cheaper vintage, such as 1980 or 1984. In March of 1998, Langton's, an auction house in Australia, discovered some phony 1990 Penfold's Grange, the most famous red wine Down Under.

Older fakes were a less common occurrence, in part because older wines constituted only a sliver of the market. But they were worth much more money than young wines, and easier to pull off. In 1985 two American businessmen bought a magnum of 1865 Lafite, supposedly from the legendary Rosebery cellar, for $12,000. When they opened it, at a $1,500-a-head fundraising dinner in San Francisco, several people present who had previously tasted 1865 Rosebery Lafites deemed it fake. Marvin Overton III thought it was 1911 Lafite. Robert Mondavi said the cork looked five or ten years old. One of the two businessmen who had acquired the bottle thought it tasted like a faded rose. Then came the string of inci­dents involving questionable, Rodenstock-sourced bottles at mega­tastings in the late 1980s. And among the wines offered for sale by Christie's in Chicago, as part of the sale of Lloyd Flatt's cellar in 1990, was a bottle of 1947 Romanee-Conti that turned out to be a bottle of 1964 Echezaux with a dummied-up label. An Imperiale of 1947 Cheval Blanc, auctioned at Christie's in 1997, sold for $112,500 despite doubts by both the chateau and a leading Swiss collector that such a bottle was ever made at the chateau; nonethe­less, the chateau had given the bottle its imprimatur by providing a new label. Near the end of 1997, a bunch of low-priced, fake 1900 Taylor Fladgate and 1908 Sandeman vintage Port appeared on the London market.

Also suspicious was the prevalence of certain old vintages that had only been produced in limited quantities in the first place. The high number of cases of 1945 and 1947 Mouton sold at Christie's and Sotheby's in the previous twenty-five years raised eyebrows, given the relatively small production of those vintages. A German restaurant was reported to have served two cases a year of 1959 Petrus for six years at tasting events; this was a wine that estate owner Christian Moueix had tasted only twice, and of which Petrus itself owned only one bottle. By the late 1990s, Serena Sutcliffe was convinced that there were a lot of fake 1947s on the market.

 

The Billionaire’s Vinegar reads like a novel at times, and proceeds even faster when accompanied by a fine red wine.

 

Steve Hopkins, September 20, 2008

 

 

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The recommendation rating for this book appeared

 in the October 2008 issue of Executive Times

 

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