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2008 Book Reviews

 

Drunkard: A Hard-Drinking Life by Neil Steinberg

Rating:

***

 

(Recommended)

 

 

 

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Candor

 

Chicago Sun-Times columnist Neil Steinberg’s memoir, Drunkard: A Hard-Drinking Life, tells the story of his struggles with drinking and recovery. Steinberg’s fine writing shines in each chapter, no matter how uncomfortable or embarrassing the story may be. Here’s an excerpt, from the end of Chapter 11, pp. 159-161:

 

As I talk, about being a reporter, putting my foot on the rail, drinking, drinking, drinking, it strikes me that I am cataloging practices, but not touching my finger to the reason at all.

Don't you see? There was an attitude, a lifestyle. You could be a civilian, a nobody, and grind away at a job and drink tea, or you could be glittering and special and an artist and drink alco­hol. I try to explain. F. Scott Fitzgerald and James Thurber, Mike Royko and Hunter S. Thompson. We were just doing what we were supposed to do. What was expected of us. Just doing our jobs, and boy did drinking seem like a job at the end. A bad job, something I had to do whether I wanted to or not.

By then it was too late. I hid the problem as well as I could. Not a single close friend ever suggested that I had a drinking problem, not one, except for Edie. They may have thought it they must have thought so—but were too polite to say it and, after all, so much of my personality was taken up with it. I was a drinker, a guy who owns a black silk smoking jacket and a chrome-plated martini shaker.

Nor was I alone. The standard first crisis is supposed to be trouble at work that's what happens in the Big Book. Not for me heck, half the time I was with my bosses, happily drinking away upstairs at Gene & Georgetti. Drinking never got me in trouble at work never, not once.

Drinking never gets me in trouble at work. But Edie trying to get me to stop sure as hell does. Now I'm damaged goods, a citywide laughingstock whom they won't even let pen obituaries at home in the afternoons, not until his legal woes are resolved.

I don't tell them this, my fellows in rehab, earnestly follow­ing my drunkard's tale. None of it. No resistance, no romanti­cizing, no clinging to happy booze memories here. I tell them how I move to the suburbs in 2000 and start taking the Metra commuter home, which requires me to walk past the Goat on Washington, where I grow to like sharing a drink or three with Phyllis on my way to the train, which itself is like sitting in a bar. Like being forced to sit in a bar every single evening for forty-five minutes. The wonder is that all commuters don't become alcoholics. I tell them how the years go by and I shift from hav­ing a drink by myself in my office at home because it's pleasant to having a drink by myself in my office at home because I have to and never even realize that a fundamental change has taken place.

The time to stop talking approaches—a practiced speaker will feel when his audience is getting restless. And I haven't done it. An engaging story, perhaps, but the central mystery—the reason—is still unaddressed. As a child I could not sleep if the sheets were taut and smooth. I would yank at a neatly made bed until there was a fold, a wrinkle I could worry between my fingers and, thus comforted, fall asleep. Maybe that's it.

Comforted by a wrinkle. Then food—eating, not a single Fig Newton, but one after the other, until I ran out or someone took them away. That led right into alcoholism. Didn't it?

Lots of people are fat, but fewer are alcoholics. Children are allowed their comfort; they cling to blankies and special toys, suck on pacifiers or thumbs. They have great fears, even at this moment of greatest comfort and protection, which says some­thing about the depth of human anxiety. While adults might gently argue there is no monster in the closet, Mommy is not going anywhere we do not yank their blankie away.

Maybe we should. We should take their comfort objects and destroy them, burn teddy in front of their eyes. Because that is what happens when you grow up. They take it away, your source of greatest comfort, and leave you in a room with strangers, pouring out your soul, clawing at the smooth, sealed box of an impenetrable mystery. I finish speaking, and we move to the next person.

 

No matter what connection a reader may have to an addiction, Drunkard brings home the story of a regular guy struggling with life, and Steinberg does this with a writing style that draws readers in and helps the pages turn quickly. He describes a person who is inside or close to each of us.

 

Steve Hopkins, September 20, 2008

 

 

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The recommendation rating for this book appeared

 in the October 2008 issue of Executive Times

 

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