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2008 Book Reviews

 

Diablerie by Walter Mosley

Rating:

***

 

(Recommended)

 

 

 

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Survival

 

Walter Mosley’s recent novel, Diablerie, departs from his usual popular fiction and offers a serious look at troubled people in a wounded society. Protagonist Ben Dibbuk is an alienated computer programmer, with a mistress the same age as his college-student daughter. His wife, Mona, the editor of a new magazine titled Diablerie, investigates Ben’s past after a woman claims that he was a murderer. Ben struggles to keep a lid on his alcoholic past while he recognizes that he doesn’t remember things he did while drunk. With Mosley’s skilled prose, this struggle for survival plays out on many levels. Here’s an excerpt, pp. 13-15:

"If I'm such a savior," Mona said to me at the counter at Augie's three months later, "then come with me to the banquet tonight."

I hated Mona's work functions. She was a magazine editor, freelance. She worked for quasi-intellectual fashion magazines. Her friends were the gushing emotional sorts or aloof scholarly types who asked questions that I didn't even understand.

"So you save me just to punish me?" I joked, hoping that she only wanted to see me squirm.

"Really, Benny. Rudy bagged out and I can't go alone. You know, some people have started saying that I really don't have .a husband at all, that I made you up because I'm a lesbian and I don't want anybody to know it."

"They'd like your fantasy girlfriend more than they'll like me." "I saved your life," she said inflecting her words with false drama. "Now it's your turn."

We took a taxi to our place on Fifty-first near the East River. It was a nice-size, prewar apartment, with thirteen-foot ceilings and more than enough room for a one-child family. We had a big window that looked out over the water into Queens. Sometimes I'd sit in the white stuffed chair and watch the river for hours.

It was easy for me to lose track of time, which is why I adhered to such a rigid daily schedule. I left the house for work every day at 8:25, getting to the main offices of Our Bank at Forty-second and Madison by 8:50. I left work when the job was done and came right home. Schedules kept my mind, and me, from wandering. Left with no destination or time limit, I could walk all day or sit in a coffee shop until it closed for the night.

"Are you wearing that?" Mona asked me.

I had been standing at the picture window, looking at the skies fading over Queens, holding my hand up to the pane as if I were gauging the city's anatomical form.

"What's wrong with what I'm wearing?" I asked.

I had on a tan jacket, dark brown pants and shoes, and a light-yellow shirt.

"Not the bow tie, Benny."

"When did you stop calling me 'honey'?"

Mona had donned a very dark, thin-strapped gray dress that made her body look no more than thirty. Her deep brown eyes shone and her silvery, straightened mane was tied up at the back of her head like the comb of some exotic rain forest bird.

"The first year that you forgot my birthday," she said.

The simplicity and quickness of her reply shocked me. When was her birthday? February? And how many years had it been since I remembered?

"I don't have any regular ties," I said.

"So don't wear one. Go loose for a change."

The Houghton Arms was one of the oldest hotels in the city. It was on Park, above Forty-sixth and below Fiftieth, but I never remembered the exact cross-street. Mona and I decided to walk since the weather was fair and to clear the air between us.

I was quiet on the way because nothing I could say would make up for the years of forgotten birthdays. I was disquieted also because of my abandonment of our daughter and my ever-increasing distance from everyone, including my illicit lover, and because I didn't care at all about Mona's unheralded birthdays. What difference did any of it make? Why were we even walking together?

"Benny?"

"Uh-huh."

"Have you thought about going back into therapy?" "Say what?"

"You heard me." We'd come to a stop at a light, at Fiftieth and Park.

Ben’s psyche is packed with stuff that Mosley trickles out with precision. His name seems to be a reference to Jewish folklore, a creature who’s possessed by an evil spirit. Diablerie is a modern serious novel, and Ben Dibbuk is unlike any fictional character you’ve encountered lately, from Mosley or others.  

 

Steve Hopkins, May 15, 2008

 

 

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The recommendation rating for this book appeared

 in the June 2008 issue of Executive Times

 

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