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2008 Book Reviews

 

Beginner’s Greek by James Collins

Rating:

***

 

(Recommended)

 

 

 

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Sweetness

 

James Collins, a long time journalist and former investment banker, chose a Victorian style romantic novel for his fiction debut, titled Beginner’s Greek. The summary: man and woman meet and click; a twist of fate draws them apart; a coincidence reunites them; commitments prevent them from picking up where they left off; and by the end love conquers all. After fifty pages or so, I thought his last name was wrong, and he is really Jane Austen’s long-lost brother. Perhaps James Austen as a pseudonym has some legs. I began to like the characters after not too many pages, and found myself finishing the book and feeling that life can certainly be sweet. This novel would make the kind of chick flick movie that both genders will like, although I don’t expect the audience for the novel to become very wide. Here’s an excerpt, pp. 49-51:

 

Why was Peter marrying Charlotte? Why was Charlotte marry­ing Peter? Charlotte worked in the New York office of L'Alliance Generale et Specifique des Pays Francophones. The AGSPF fos­tered economic and cultural exchange among the French-speaking peoples of the world and tried to promote the French language and Francophone civilization in all places sadly suffering from their lack. Dogged and intelligent, Charlotte had mastered the politics of Chad (Djamous, the finance minister, was on the rise, though not supported by the Quay d'Orsay) and the diplomacy of Laos. She was, it seemed, always writing a report on intra-Francophone trade. There were lots of tables. In addition to this intellectual work, Charlotte also participated in the AGSPF's busy social life: no minor Algerian poet could pass through New York without a reception. That's what was happening tonight. Charlotte had to at­tend a dinner for a Belgian economist, who had appeared in town unexpectedly.

For a time, Charlotte's father had worked in the Paris office of a New York law firm and the family had moved there when Charlotte was seven. With this credential, she could legitimately make France her thing, which she proceeded to do. After her parents divorced, when she was sixteen, Charlotte's father and her stepmother bought a small property in the countryside, where they went every summer and where Charlotte would visit. Charlotte majored in French and she spent two years in Paris after college

There she had had the requisite love affair with a Frenchman, with lots of tears. Maximilien-Francois-Marie-Isidore had been thirty-seven, an incredibly ancient and sophisticated age for Charlotte, then twenty-two. He was always lurking in the background, supposedly poised to swoop in and carry Charlotte back to Paris forever. That never seemed to happen, but on a regular basis, heavy-smoking, black-whiskered French friends — Heli, Valery, Claude, Hilaire-Germain, Alexandre-Cesar-Leopold, Gilles — would pass through New York. They would take Charlotte and Peter to ob­scure rock clubs and talk endlessly about American bands and films and writers whom Peter had never heard of. Of course, they all spoke English perfectly, and from time to time one or the other would engage Peter in conversation, while making it evident that he was merely doing so out of politeness.

One requirement for Charlotte's job was that she speak the lan­guage well, and she did, using all sorts of slang. Nevertheless, when­ever she spoke it with a Frenchman, there was always the air that she was performing, an amateur-hour talent, rather than simply talk­ing to someone. Whenever they went to a French restaurant, she engaged the staff in long conversations, and they were delighted. Peter — who had taken AP French! — sat there smiling uncom­prehendingly for the most part. Eventually his existence would edge into the consciousness of the captain, and he would turn to Peter with an expectant smile.

"Er . ." Peter would say. "Pour commencer, je voudrais prendre aussi les moules." As soon as he heard Peter's accent, the captain's smile would disappear and he would adopt a manner of cold courtesy while Peter, losing his way grammatically, would give the rest of his order.

"Very good, monsieur, and for the wine, shall I give you a mo­ment to decide?" Okay, so he answered in English. Big deal. In fact, that suited Peter just fine, for somewhere deep in his Celtic-Anglo-­Saxon bones, he believed that it was improper for any real man to speak French.

Another requirement of Charlotte's job was that she dress well despite her low pay. Charlotte did dress well, if by "well" one meant fairly expensively. Her clothes were fashionable and of good quality. Yet she did not dress well, really. There always seemed to be too many flaps or folds or layers or lappets or something. She always seemed to be reaching for an effect, an effect that was neither achieved nor worth achieving and one that, even if those conditions were met, would not show Charlotte off to her best advantage. When Peter thought about Charlotte's clothes, her stepmother, Julia, always came to mind. She was ten years older than Charlotte and was naturally chic, but as far as Peter could tell she mostly wore a skirt, cardigan, and pearls. Charlotte had always cast Julia in the role of her guide in the ways of the world. Why not simply copy Julia's clothes? But Charlotte, with no intuitive sense of these things, was blind to the example her mentor set for her.

As with Charlotte's clothes, so with her grooming. It was always, somehow, just a bit off. The haircut was either too severe or too full, and, in either case, had a life of its own, regardless of how determinedly brushed; the lipstick was one shade too fauvist; the nails were ragged (Julia wore clear polish on her nails and kept them shaped liked torpedoes). These superficial flaws bothered Peter much more than he thought they should. For reasons that are mysterious, some people — men and women — are always able to look well put together, stylish, suitable, whereas others, to a greater or lesser degree, fail in this. Well, so what? Some people can wiggle their ears, and other people can't. If someone has a good heart, how can that sort of thing possibly matter? Irksomely, it did seem to matter. In a way that was more than irksome, so did Charlotte's looks. It wasn't a question of whether she was good-looking: she was. She had a long, rather concave face, large eyes, and a prominent nose and chin; indeed, it would not be inaccurate, and it would not be at all displeasing to Charlotte, to say that her face was "Pre- Raphaelite." She was pretty.

 

And from the reference to the title, pp. 321-322:

 

"Jesus Christ!" Thorndale cried from the other side of the table.

"If you guys are going to keep this up, you can take your damn slide rules someplace else." He and Kakouilli began conversing in Greek. They knew each other, it turned out, because both were friends with an American poet who had lived in Greece much of the time. They were talking about him and switched to English. What was that very early poem, something about learning Greek? How did it start — smelling the sun? They both turned to Peter. Miracu­lously, Peter remembered this work and was able to recite it.

"You mean 'Beginner's Greek'? Let's see .. .

To one

Who smells the sun,

Eyes shut, and tastes that rain is sweet;

Who hears

Music, but fears

Its presence in empty gardens; or, discreet,

Only observes

The nerves

And fibers of a painting — shade, technique;

What is

Beyond analysis

Is perilous: we must not wish to seek

And ay

‘This is what I

Love, what I cherish!' Instead, be wary of such

Intensity

That we

May never be hurt or happy or anything too

much.

 

Isabella had been listening intently. "Oh, Peter, that's so beautiful,” she said in a whisper.

“He was twenty," Peter said.

Kakouilli and Thorndale just stared at him.

 

Collins is a talented and clever writer, and Beginner’s Greek is a worthy debut novel for your consideration.

 

Steve Hopkins, May 15, 2008

 

 

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The recommendation rating for this book appeared

 in the June 2008 issue of Executive Times

 

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