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Ask Me Anything by Francesca Delbanco

 

Rating: (Mildly Recommended)

 

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Dear

Francesca Delbanco’s debut novel, Ask Me Anything, introduces Rosalie Preston who writes an advice column for teenage girls, and includes the phrase, “Trust me. I’ve lived through it,” with each response. Rose is coming of age herself in New York City, and her advice comes easier than does the choices she makes in her own life. Here’s an excerpt of the beginning of chapter 2, pp. 39-45:

Dear Annie, I’ve been going out with my boyfriend for two and a half months, and he still won’t tell me he loves me. I can tell he’s really into me: I have six different CDs he’s burned for me and he has pictures of me all over his locker and everything. But when I tell him I love him, he gets all squirrelly and mute and robotic. What’s his problem? Is he just Playing me? How long do you think I shoudl put up with this crap?

—Sick of It in Wisconsin

 

Dear Sick of It, I can see how it might be frustrating to declare your undying love and get a nice, friendly pat on the head in return. But here’s my take: I think the Boy Universe divides into two categories, the talkers and the doers. The talkers take you out for one slice of pizza and call you the next day to say they’ve never met anyone half as beauti­ful, smart, talented, funny, and exciting as you are. Sounds great, at first. But can you really trust a guy who claims to be able to tell that much about you from the way you chew your food?

 

Then there are the doers. The doers burn CDs for you, and bother paying attention when you mention your favorite songs and bands. They post every snapshot of your gorgeous face they can get their hands on, so that all the poor suckers who walk down the hall can see how fine their girlfriend is. They remember to ask how your geometry test went at the end of the day, remember to bring your favorite candy bar to your soccer game, remember to wear the shirt you once said looked cute. And sometimes, when you ask them how they feel about you, they clam up. But that’s usually because it’s so, so real.                                     

I say, be patient. It’s usually a good sign when it takes a guy (anybody, for that matter) a while to pour his heart out. As long as his actions are saying love, love, love, try to relax and let yourself enjoy them. And when you get to feeling nervous or insecure, just remem­ber how much time and thought it takes to burn a good CD. Time and thought count for a lot, in my book. Maybe that’s because they’re finite and hard to come b. And if we measure love by what’s hard, instead of by what’s easy, you’re one lucky girl. 

                                        Trust me. I’ve lived through it.                        

                                                      Annie 

 

Though I am part of a generation known for its technological wizardry, I have no gift for computers and am in fact rather phobic about them, have seen too many futuristic movies in which whole societies are obliterated by the impetuous click of a mouse. Most of my peers seem to have emerged from the womb with Internet cables for umbilical cords, but in the Massa­chusetts backwater where I grew up, children played with retro                                         toys such as blocks and coloring books, and I have never quite caught on to the craze for the World Wide Web, which seems mostly to be a dehumanizing way to go shopping. But every so often even the most pigheaded Luddite must resort to these research tools, or she must sweet-talk a friend into helping her, and it was on the Internet that Grace located a purveyor of Steuben on the Upper East Side.

“There’s one on Fifty-sixth and Fifth, and the flagship looks like it’s on Sixty-first and Madison. But maybe you’d rather go to a boutique that sells other brands, just in case,” she said over the phone from work on Monday morning, after our return from the Adirondacks. “Here’s one. I bet this is one of those places where you have to ring a doorbell to get let in. It’s called La Maison, Seventy-fourth and Madison. I’m thinking the French is a bad sign.”

 

I swiveled my office desk chair away from the hall, where a group of editorial assistants were hanging up an Ortho-Cyclen poster. “How much do you think that frog could have cost? Does it say?”

 

“The website doesn’t have a price list. But some of these things seem to have gemstones for eyes. If the diamond barons in Sierra Leone could only see what their soldiers are dying for.”

 

“I can just buy something cheap and say they were out of frogs, don’t you think?”

 

“The place doesn’t look very sale-rack-y, Rose. But you already know what I think—I think you should take Bella’s advice and just send her dad a note and forget about buying anything. The guy’s not going to notice one fewer reptile on his mantelpiece.”

 

“Frogs are amphibians. I looked it up.”

 

“Whatever, Bella said to send a note.”

 

Grace had a point—Bella’s proposed solution let me off the hook, in an economic sense. But on the drive home from the Adirondacks her retroactive attachment to the Steuben toad had grown exponentially, so that by the time we hit the West Side Highway her mood was so reproachful an outsider would have guessed I’d shot her brother. I didn’t like the idea of something so replaceable (and, frankly, so ugly) being held over my head. Any­way my mother raised me to be a good houseguest, and though she probably never imagined I would be weekending in places where a small accident could result in thousands of dollars of credit card debt, I could not so easily undo years of her training. I took down the name and address of the shop.

“Sometimes you can try to bargain at these boutique-y places,” Grace said, in the whisper she used whenever her boss was nearby. “But don’t go crazy and offer them an organ or anything. Call me when you get back.”

 

 

Because the idea of becoming a permanent fixture at Girl Talk gives me the creeps, I keep my office spare and impersonal: easy in, easy out. A company phone list, a guide to performing the Heimlich maneuver that was tacked to the bulletin board when I moved in, some generic props from the supply closet to fill up my desk drawers and convey industriousness—nothing I’d miss, if I walked out the door and never came back. I enjoy hanging out with the girls while we’re all in the office (“girls” being a holdover from the Mademoiselle days of Mary Cantwell, connot­ing flair, not subjugation). But I usually skip the daily pilgrimage to the salad bar across the street, am not well enough versed in the nutritional content of roughage to run with the lunch crowd. So no one noticed when noon rolled around and I grabbed my umbrella and headed for La Maison, clutching my billfold with the nostalgia one feels before long goodbyes.

 

Outside it was raining, that sticky summer rain that steams the cockroaches out of their holes and onto the pavement, so I walked over to Madison Avenue and rode the bus uptown past bridal boutiques, day spas, baby couture stores. La Maison was on a block of antique shops and galleries. On display in its velvet­lined window were a decanter and a group of cut-crystal glasses that looked heavy and old, like chalices, though I doubt chalices are sold in sets of six. A couple of men with Secret Service—type wires in their ears opened the doors for me, and I shook off my umbrella and left it in the brass stand.

 

Somewhere I’ve read that the first rule of the great auction houses is to treat everyone who walks in off the street like an heir to the throne of Saudi Arabia, since one never knows, in this era of the ubiquitous jean jacket, who might have the funds to buy an Old Master drawing. But when a saleswoman approached me to offer her services, looking trim and efficient in her black pantsuit, her smile was cool and supercilious.

 

“Can I help you find something?” she asked, taking in my wrinkled linen dress and my straw-heeled sandals, which were squishy with water.

 

“I’m looking for a present, actually a replacement present, from your Steuben line. Something on the order of a frog is what I had in mind, though any kind of animal would do, really.”

 

“Mm, the hand cooler collection,” she said, leading me to a display of carved figurines, not unlike the glass trolls my grand­parents keep on the shelves of their powder room. “In the eigh­teenth century young women used these to chill their hands before being led onto the dance floor. The American eagle is the traditional design, but we also carry a limited edition Forest Floor series.”

 

I picked up an eagle from the bottom row. It had the same heft as the thing I had broken, and a kind of stuffy Federalist look that would fit nicely in the newly appointed Fort. The price tag read one hundred and ninety-five dollars.

 

“A classic,” the salesgirl said, pursing her lips. “Of course, we usually sell them in pairs, but one is a charming little way to say ‘thank you.”

“I’d like it in a box, if you have one.”

 

“Wrapped and mailed?”

 

“Wrapped, please.” I had legs, and could therefore do the dropping off myself. We struggling actresses must take our small economies wherever we can find them.

While there are moments when Delbanco’s writing is terrific, especially in some of the advice column letters and responses, most of Ask Me Anything leaves a lot of poor impressions. Rose is not a very sympathetic character, and after a while I found myself not caring much about what happened to her. If chick lit is a must-read for you, Ask Me Anything will fit the bill. Perhaps Delbanco’s next novel will have more consistent writing and more compelling characters.

Steve Hopkins, May 25, 2004

 

ã 2004 Hopkins and Company, LLC

 

The recommendation rating for this book appeared in the June 2004 issue of Executive Times

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